Camelot for a new Age

On January 21^st, 2009, historians would remember the day change swept America and perhaps the entire world.

Barack Obama is poised to become the 44^th President of the United States of America, a country that came out in its stride demanding for change. More so than others, it was perhaps an insistence from Hollywood; an insistence for George W. Bush to leave and an insistence for Obama to take his place; that was the most effective.

The most powerful nation in the land boasts some of the most powerful entertainment and media houses. And almost every president, since Kennedy, has to come to terms with the media and eventually Hollywood.

During the last few months and years of Bush's presidency, there has been an outcry from Hollywood for his outing, some public, some subtle and even some shouting. We have seen Michael Moore craft an entire series of award winning pseudo-documentaries attacking George W Bush. We have seen Al Gore transform from a goofy Vice-President to a venerable environmental messiah. We have also seen an African American woo not only the world of politics but the world of Hollywood as well.

Hollywood and Politics have quite the love and hate relationship. And there have been some poignant times in the history of the United States where we have seen the good, the bad and the ugly side of this relationship.

The most prominent display happened during the 1960 race to the White House. Vice-President Richard Nixon hoped to secure a republican presidency but he did not count on his candidate being so strong with Hollywood.

Contrary to Nixon, who represented the dull and boring establishment, Kennedy stood out almost like a movie star. He was tanned and always smiling, appearing confident and calm in front of cameras, whereas Nixon appeared confused and pale. For example, during the debates of the 1960 election, Kennedy used his image to great advantage. In the first ever televised debates, Kennedy knew that his image would play a big role. He rested before the debates and used make-up unlike his opponent, who deemed it too "feminine." Instead, Nixon appeared almost haggard like and unkempt, viewers of the debate clearly favored with the younger, dashing, candidate.

And the results clearly had an effect; Kennedy won and eventually went on to have a favorable relationship with Hollywood. His reign over the White House was such a pristine picture that would end up being associated with the fairy tale of King Arthur. They would call his reign, Camelot.

In recent times though, that relationship has been quite strained. George W Bush wasn't a media darling, in fact, he's had a troublesome relationship with Hollywood and Michael Moore has been spearheading that trouble, since Bush's election.

In 2002, we saw the release of Bowling for Columbine which was an attack on Republican ideals, such as Gun Control and media violence. Though it didn't attack Bush directly, the pseudo-documentary gave Moore more ammunition than before. Two years later, Moore led an all out assault against Bush and his war in Fahrenheit 9/11. Hollywood had suddenly created a new craze, it had made a nation mock its own leader and the world loved it. Every move that Bush made during his remaining tenure of Presidency became the object of scrutiny or mockery.

The most recent jab comes from Oliver Stone in the form of W. Although some dub the movie controversial and an attack, the movie is perhaps humanizes Bush from the past demonizing of Moore's perspective.

Bill Clinton's reign, though marred by controversy, was much favorable with Hollywood. In one of his last televised addresses as President, he prepared a video of his last day at the White House. Included in the video was a small snippet of him accepting an Academy Award. Though that was simply a skit, it clearly indicated that Clinton liked Hollywood and vice versa.

Obama has had a similar journey. He first came into the spotlight in the 2004 election when he made a key note address. He then caught the attention of the producers of the West Wing, who even modeled a character after him in the show. Some say that it was the character of Matthew Santos (Jimmy Smits) on the West Wing that braced America for the change they now have.

In February 2007, Barack Obama announced his candidacy for the 2008 Presidential Elections. He made the announcement in front of the Old Capitol building and set his campaign ablaze. Obama's popularity would ultimately spill over into Hollywood, with the likes of Oprah Winfrey and George Clooney carrying the torch for him.

Obama's status with Hollywood was completely clear when the choice between him and Hillary Clinton became wasn't much of a choice. Immediately, the majority of Hollywood would side with Obama, even the likes of Oprah Winfrey.

Will I Am, of the Black Eyed Peas, released a song about the Obama campaign, called, "Yes We Can." The lyrics of the song are composed almost entirely of excerpts from Obama's speech on January 8, 2008, following the New Hampshire presidential primary election. The video features appearances from numerous celebrities like Scarlett Johansson, Tatyana Ali, John Legend, Herbie Hancock, Kate Walsh, Kareem Abdul-Jabbar, Adam Rodríguez, Kelly Hu, Hill Harper, Amber Valletta, Eric Balfour, Aisha Tyler, Nicole Scherzinger, Nick Cannon and Bryan Greenberg. Within a week of its release over four million viewers on had seen the video on YouTube alone. Clearly Hollywood had given Obama its blessing.

Edward Norton believed in the campaign so much that he had arranged for a documentary crew to follow the campaign wherever it went. And now, HBO plans on releasing the documentary in the near future.

Will Smith and his family were so sure that he'd win that he and his family filmed the entire election day in all of their home cameras. African Americans in Hollywood especially took a much bigger interest in this Election. Obama's heritage played an important role in the election. His critics accused it of being his greatest weakness, but his followers saw it as a sign of change.

Now Obama is poised at a new age, an age one hopes that will be filled with prosperity and betterment, an age where historians will begin with a fairy tale-esque "A long time ago…" as the new age of Camelot once again begins.

Entourage

Entourage is to men what Sex and the City is to women. It follows the lives of four male friends who come to Hollywood in the search of fame, friendship and family.

Vincent Chase (Adrien Grenier) is a rising star in Hollywood, his first movie ‘Head On’ was a box office smash and he has aspirations to go further. Joining him are his friends Eric Murphy (Kevin Connolly), Turtle (Jerry Ferrara), and his brother Johnny Chase (Kevin Dillon). All of them believe in him and know that he can go further, an ideal also believed by his agent, Ari Gold (Jeremy Piven).

The first season deals primarily with Vince’s newly found fame status and how his friends adjust to it. The second and third seasons deal with Vince returning to mainstream Hollywood and his friends finding their own niches in their lives. The fourth season deals with Vince seeing the bad side of Hollywood as he learns what it is to fall out of fame.

A recurring theme in Entourage is the might of friendship and its importance over work, which makes it seem inspired by the super hit Sex and the City.

Although the show may be about Vince, it is the character of Ari Gold that has gained much appreciation by fans and critics. Jeremy Piven has won three Emmys and Golden Globes for his portrayal of the character and continues to be the strength of the show.

All that Kolachi Jazz

They say that jazz is an acquired taste.

If that is so, then Karachi has quite the appetite for Jazz. On a brisk Saturday evening, the jazz/fusion supergroup, the Kolachi Quartet performed a gig at the PACC.

The who's who of the entertainment industry loitered around the entrance of the inner-theatre, where the concert was set to take place. TV stars, musicians, photographers, models, all mingled with the band members, a sight not particularly seen before the concert – or come to think of it, at any concert.

The group is comprised of varied musicians. Pakistan's prominent percussionist Gumby, handles the drums; classical guitarist Abbas Premjee helms the guitar; Khalid Khan of Aaroh provides the bass lines; finally to round things off, Emu of Fuzon fame, chimes in with his synthesizer and keyboards.

The Kolachi Quartet has performed before, but that was a special performance, away from the prying eyes of the public. This time around, they have opened their doors and although there weren't enough members of the general public around, the group's provided a very interesting performance.

As the lights dimmed, the musicians took to the stage. They looked relaxed, grinning at each other, obviously knowing what they were about to do.

Abbas greeted the audience and announced the track the name of the track, "Oops." Like a well oiled machine, each musician fell into place. At first, it doesn't seem that out of the ordinary, four musicians playing in a band. When you put them in their individual perspectives, that's where the interesting bit kicks in. Each of them brings their own flair and passion, each sound is different, yet when they all come together, their music gels perfectly.

The track itself was jumpy and upbeat, filled with the jazzy and fusion sound and gave a sneak peak for the audience what the show is all about. "That sinking feeling" followed and it was when the band shifted gears into a slower tune. The crowd seemed to sink itself into each tune and although Jazz is ambient music, the band made sure they were center of attention. An untitled piece follows: "We haven't given this one a name yet, but we call it the Kirwani Jam," says Premjee. The piece begins with an erratic but stable beat and pretty soon the audience gets into the groove.

The band then welcomed Zara on the stage. The singer has been previously heard on the "Khuda Key Liye" soundtrack and although she does justice to the film, her live singing is a bit less impressive. "Suniye Jee" is a soft ballad, Zara's vocals sinking into the ambience created by the band. At times, she seems a bit lost, but through the most of it, she's on track. After another track with Zara, the band then took a break as Abbas Premjee took the stage to perform a few solo compositions. The audience watched with awe and wonder as Abbas plucked and strummed two different pieces. From crescendos to soft whispers, Abbas clearly showed off his training in the guitar—and the audience loved it.

The band re-groups and then is joined by singer Irfan on stage. Irfan is a folk singer from Multan and sings in his native tongue. Although he stumbles a bit at first (perhaps due to some technical glitch) as the songs move on, he finds his own temperament and settles in with the band.

After the concert, the band spoke about the premise of the concert with much glee. It was clear that not only did they enjoy playing as a group, but they did so as individual musicians as well.

"This was probably more for us as musicians than as a band performing for an audience," spoke Gumby. Emu agrees, "It's just something that had to be done. As a musician, I've always been into Jazz – I was trained in it – but had never had the opportunity to play it live or as a part of a band." Khalid said, "I enjoyed playing with them, this was our first public concert and it was amazing."

When asked if they would ever release an album, Gumby replied "Every piece that was played in the concert – except for one – was an improvisation piece. We've practiced a basic structure, but apart from that, it's all something that happens once every concert. It's not something that can be captured on a disc, it has to be done live, in front of an audience." Emu reiterates this fact, "This is total improvisation, which is the essence of Jazz music." Guitarist Premjee echoes the sentiments of his fellow band members, "Jazz music is spontaneous, you can't have that on a disc, its meant to be played live—hence, we'd like to do more shows." Bassist Khalid Khan echoed his band members but added, "We can probably look into a record but at the moment, we're planning on doing more shows."

However, the band faces one criticism. Jazz music as a genre is extremely niche in Pakistan at the moment. There are very few people who play it, and even fewer who can appreciate it. "That's right," agrees Gumby, "it is niche, but at the same time, we're doing it and it's not like nobody came to the show." Emu says, "It is very niche, but then we had so many people show up at our show and because of that support we now have more shows lined up!" Whereas the majority of the band agrees upon its niche genre, Abbas Premjee has a different view: "I don't think its niche at all and if it is its less than ghazals and everything else that we have." Premjee insists that more shows will lead up to jazz becoming a broader genre than it already is.

Although we can expect more from Kolachi Quartet, the members themselves have a busy schedule up ahead. Premjee spoke about his solo album "Elements" and that it would be released shortly. Khalid Khan spoke about Aaroh, "We're working on some new songs that will lead into a new album." Meanwhile, Emu and his band continue to broaden their audiences, "We're [Fuzon] going to India again soon, so that should be exciting." Finally, and not the least, Gumby has his hands full too, with working on Abbas Premjee's album, providing drums for other people, like Kaavish's upcoming record and ultimately, more Kolachi Quartet shows.

The concert itself was probably the first of its kind, and it’s a shame not enough people get to experience it the first time around—but according to the band, more shows are around the corner so that the most of Karachi can experience the sounds of the Kolachi Quartet.