27.3.08

Brothers and Sisters: The First Season

Tolstoy’s famous quote, from the novel Anna Karenina, “Happy families are all alike; every unhappy family is unhappy in its own way,” is the first thing that comes to mind after watching ABC’s family drama, Brothers and Sisters.

This drama follows the lives of the Walker family which is left completely shattered after the death of William Walker (Tom Skerritt), the head of the clan. Spiralling from his death are dark family secrets that start to seep out and threaten the intimacy of the family and raise questions regarding the character of Walker, too.

Academy Award winner Sally Field portrays Nora Walker, mother to the Walker siblings and widow of William. She discovers that her husband had fathered an illegitimate child, a daughter, as the result of an affair. Through the course of this season, she tries her best to come to terms with a legacy of the William she never knew. It was for this role that Field won an Emmy for Lead Actress.

The rest of the ensemble cast is made up of established stars. Rachel Griffiths, Calista Flockhart, Balthazar Getty, Matthew Rhys, Dave Annable, and Emily VanCamp, portray the distinct and unique Walker siblings. Each sibling comes to terms with their father’s death and the discovery of his dark secrets, one of them being VanCamp’s character, the step-sibling from an affair their father had.

Brothers and Sisters is a drama that was anticipated for its star-studded cast more than its story. But now that the first season is over, it is the witty and graceful storyline woven through each member of the Walker clan that has captivated the TV viewing audience. The first season, filled with special features, is now available.

(Originally published in the March 27, 2008 edition of The Review)

19.3.08

Childhood’s End -- Arthur C Clarke, Science Fiction Writer, Dead at 90


Think of Arthur C Clarke and the first thing that would come to your mind is a giant monolith floating in space against the backdrop of the sun and the awe-inspiring musical motif provided by composer Gyorgy Ligeti. Think of his stories and you will be taken a million miles away on an amazing journey of fantasy and science fiction. But this giant of science fiction came from very humble beginnings.

The son of a farmer and a post office worker, Arthur C Clarke was born on December 16, 1917, in the seaside town of Minehead, Somerset, England. His tryst with science fiction came into being when he discovered a copy of Astounding Stories of Super-Science, a science fiction magazine of its time. It was all the inspiration he ever needed, he then joined the British Interplanetary Society, a group of science fiction buffs who argued that space travel was very much possible and that man achieve it in the distant future: a view Clarke strongly believed in.

His first published novel “Against the Fall of Night” (originally published in a magazine) would years later become the inspiration for the movie, “Pitch Black.” And his other novel, “The Hammer of God” inspired two summer blockbusters, “Armageddon” and “Deep Impact”. Clarke’s imagination fascinated viewers, readers and even scientists alike. “I’m rather proud of the fact that I know several astronauts who became astronauts through reading my books.” Gene Roddenberry cited Clarke’s work as the inspiration behind his own creation, Star Trek.

His stories ranged from the apocalyptic, “Childhood’s End”, a story which described the final stage in humanity’s evolution to the genuinely weird, “Nine Billion Names of God” in which a group of monk scientists make a startling and strange discovery.

In the spring of 1964, Stanley Kubrick approached Arthur C Clarke with the idea to make a “proverbial really good science fiction movie”. Clarke was known for revisiting old ideas and rewriting them with a new twist. He used the template from an older story, “The Sentinel” and together with Kubrick (who wrote the screenplay) wrote the novel for the next four years. Kubrick would produce and direct the film which although wasn’t as successful in its time, it has found itself to have attained legendary status in cinematic history. From the appearance of the awe inspiring Monolith at the beginning of the movie and the infamous bone transforming into spaceship scene to the poignant humanity of szichophrenic computer HAL to the ominous creation of the Star-Child at the end of the movie, “2001: A Space Odyssey” continues astonish audiences today.

He went on to write three more sequels to the book, out of which only one was made into a movie, “2010: The Year We Make Contact”. Currently, only “Rendezvous with Rama” is one of his works which is in consideration to be made into a movie.

Though he achieved much, he had little or no regrets in life. He played a pivotal role in the development of the modern day radar, a development that provided success to the Royal Air Force in World War 2. He once recalled to a friend that he had lost billions of dollars by not applying for a patent for one of his most important ideas: using satellites as a form of communication relays. It is in his honor that the orbit that satellites use to revolve around earth is called “Clarke Orbit” by the International Astronomical Union.

In 1956, he permanently settled in Colombo, Sri Lanka, where he discovered the wonders of scuba and underwater diving. He told friends and family that it would be as close to the weightlessness of space as he could possibly get. Along with his love for diving, Clarke fell in love with the nation of Sri Lanka and suffered terrible heartbreak as he watched the nation spiral into one of the longest and most devastating conflicts in the region.

A severe attack of polio in 1962 and development of post-polio symptoms in 1984 had limited him to a wheelchair. His vision and imagination knew no bounds. Only recently he had reviewed the manuscript to his latest novel, “The Last Theorem” co-written with American author, Frederik Pohl. The book is stated to be published in late 2008. Speaking about the book to Agence France-Presse, he said, “This could well be my last novel, but I’ve said that before.”

Though he explored strange new worlds, introduced us to advanced cultures and ventured to galaxies light years away in his stories, he kept his own life very private. He married in 1953 to Marilyn Mayfield, also a diving enthusiast, but divorced in 1964, with no children.

Perhaps it is his own words – the ones he chose to be put on his gravestone – that give us a glimpse of who he really was: "Here lies Arthur C Clarke. He never grew up and did not stop growing.”

Arthur C Clarke died on March 19, 2008 in Colombo, Sri Lanka due to respiratory complications and heart failure.

(Originally published in the 30th March, 2008 edition of Dawn Images)

18.3.08

Anthony Minghella – The English Director


Before “The English Patient”, no one had even heard of the son of Gloria and Edward Minghella, ice cream factory owners. Anthony Minghella was born on the Isle of Wight at Ryde, on 6 January 1954, where he went on to attend Sandown Grammar School and St John's College (Portsmouth). He abandoned the pursuit of doctoral thesis after completing undergraduate and postgraduate courses.

Instead, Minghella concentrated on producing plays in the mid seventies working his way into television as a script editor for children’s BBC TV show “Grange Hill” and later as a staff writer on “Jim Henson’s Storyteller”. He would later go on to write for mainstream British television, writing for the series “Inspector Morse” in particular.

In 1990, his made-for-TV drama “Truly Madly Deeply” gained critical acclaim and went on to be released in theatres. Thus, his foray into cinema began. Minghella focused on adapting literature that had a rich visual vocabulary, moving dialogue and powerful themes that won accolades and found audiences.

It was because of such vision that Minghella won the Oscar for “The English Patient” in 1997. It was nominated for a massive 12 awards and ultimately won 9 but it wasn’t just the Oscar that honored the picture it also won the Golden Globe Award and the BAFTA Award for Best Film. It was also a Box Office success quickly gaining the status of the highest-grossing non-IMAX film (and second highest-grossing film overall) to never reach the weekend box office top 5.

He had recently finished work on “The No. 1 Ladies Detective Agency,” an adaptation of a novel by Alexander McCall Smith, for HBO and the BBC. It will serve as a pilot for a series.

Like his films which never failed to find awards and accolades, his death also finds a plethora of tribute from friends, co-workers and viewers from around the world. Ralph Fiennes, actor, “The English Patient”, spoke of him, “I am devastated and shocked to hear of Anthony Minghella’s death. Anthony possessed a sensitivity and alertness to the actor’s process that very few directors have. He directed most of The English Patient with an ankle in plaster, never losing his gentle humour and precision. He delighted in the contribution of everyone - he was a true collaborator. His films deal with extreme aloneness and the redemptive power of love, even at the moment of death. I will remember him as a man who always wanted to get to the heart of the matter.”

The writer Canadian-Sri Lankian Michael Ondaatje was extremely satisfied with the adaptation of “The English Patient” and called Minghella "one of [his] dearest friends".

Chris Jones, critic for Chicago Tribune, writes “Minghella was struck down in the middle of his career. I remember him as an enviable wunderkind, a renaissance man of the drama who could do anything he wanted.”

Famed director Sydney Pollack spoke to the New York Times, “He was interested in the magic. Not fake magic, like hiding the ball under the cup, but real magic, the kind that occurs between people. Nowadays, everybody making movies wants to get the clothes off fast and the guns out quick, he was just the opposite. He was interested in the poetry, lavishing the viewer with story, and scope and richness. Look at what you got for your $12 ticket with Anthony.”

“He was interested in the magic,” Mr. Pollack said. “Not fake magic, like hiding the ball under the cup, but real magic, the kind that occurs between people. Nowadays, everybody making movies wants to get the clothes off fast and the guns out quick, he was just the opposite. He was interested in the poetry, lavishing the viewer with story, and scope and richness. Look at what you got for your $12 ticket with Anthony.”

Anthony Minghella died due to post-complications he suffered from Tonsil Cancer surgery on 18 March, 2008.

(Originally published at the March 30th, 2008, edition of Dawn Images)