Only a few existing bands can boast of a career spanning two decades in the Pakistan music industry. Though thick and thin, and lifetimes of many rock bands, Strings have been a venerable force at the heart of our modern music industry.
Similarly, Atif Aslam has set himself apart from the rest of the pack. After a tumultuous breakup with Jal the band, he has gone on to make his own mark in the music world — in Pakistan and beyond. Now the two powerful entities join forces to release Ab Khud Kuch Karna Paray Ga, a music video (or anthem) describing the current situation and state-of-affairs of our country.
The band wrote the song keeping in mind that it would be a collaboration, and the only person that they had in mind was Atif Aslam. It was his broad appeal as a musician which created the interest — and working with the young musician proved to be worthy experience. Speaking of collaboration, there was one more person Strings was very eager to work with: director Jami.
Both Bilal and Faisal praise Jami’s understanding of the vision of Strings, “Jami is a part of Strings. He understands our ideas and tastes; and most of the time our concepts are very similar,” said Bilal.
Jami reciprocates by saying, “Strings are family, I just can’t say no to them.” He added that they approached him with an idea about doing something for Pakistan in terms of an anthem or a message. “We decided to go completely basic with this video because that’s the only way the concept could have come across. The video features powerful imagery that we haven’t re-created — and instead got from news channels.”
The video of Ab Khud Kuch Karna Paray Ga is very simple but hard-hitting in terms of content. The band and Atif are shot in and around Karachi buildings. It’s kinda old-school like that which is pretty reminiscent of the times when music videos were just that — shot around Karachi with just the band singing along.
The truly stirring stuff is when we see the news footage: suicide blasts, violence, corruption, etc. Granted it may be clichéd but that is exactly what the band wanted. “We always show the pretty side of Pakistan in most of our music videos and never the real stuff,” said Faisal. “I think we need to face reality and face our problems,” Bilal added. “Strings have always been a very romanticist band, we’ve never been politically charged — until now.”
“Currently we have quite a few problems which led to the decision of what to show and what not to show. We didn’t want it to be overtly graphic that people would just be turned off by it,” said Jami. “So we selected a couple of shots just to get the message across.”
And what about the message? “The video itself doesn’t have a concept — it’s a neeyat for all of us. The band had this idea of what it was going to be and it was pretty clear to them; we need to do something for Pakistan and we need to do it now,” said the director.
“The easy way out right now,” Bilal added, “would be to go abroad and make music. We’ve done that. But now because of what’s happening here, we’re staying right here.”
However the band admits that because of the current conditions of the music industry, it is now relying on the most powerful medium of them all: the music video (and in part television) to spread their music. “Our focus is music videos now. Simply because it is more effective than churning out a 10-song album. With albums you tend to spread yourself too thin, so we’ve decided to focus on releasing singles — and it is better to have your attention on one project or song at one time so that you get a better results.”
Faisal Kapadia added, “Also the current situation is very bleak. On all levels, whether it’s the music industry or the political landscape. All we hear is people talking about change and not actually taking that first step to change. Music videos like these can inspire a first step in people. And it doesn’t have to be a violent first step.”
In Ab Khud Kuch Karna Paray Ga the content featured is from actual footage which might give it an extra edge in terms of credibility — but will it do good with the masses? The initial response to it is mixed; some love it outright whereas others call its rawness as mediocre.
However, Strings, Atif and Jami are very serious about this music video and its message. Are we seeing a music revolution in the making? Only time will tell. “We’re working on another single at the moment,” said Bilal. “It’s going to be even bolder in terms of concept.”
Archive of my articles. Music and cultural journo. Please don't steal, reprint, copy, plagiarize, or lift any of the articles here without my permission. Thank you.
Showing posts with label Atif Aslam. Show all posts
Showing posts with label Atif Aslam. Show all posts
1.8.10
The time is now
2.8.09
Spirit of the Studio
At two more episodes than the previous season and nearly twice as many artists from last time around, the sheer awe factor of Coke Studio 2 artists is certainly undeniable. You also have to give credit to the artists for not only experimenting with their own songs but tackling new ones too. The fourth session is titled Spirit and with such acts, it's obvious why.
Mai Ni Main – Atif Aslam
I can only imagine what was going through Atif's mind as he sang this song. It would be a daunting task to be in his shoes to cover a song previously sung by maestros such as Hamid Ali Bela all the way to Reshma, and Atif flawlessly sings the classic tune. He's definitely one Coke Studio artist that continues to shatter people's perceptions of him and his musical prowess.
Bulleya – Riaz Ali Khan
This is probably the most covered Baba Bulleh Shah poem there is and rightfully so, with its poignant lyrics and its underlying tones. Like the many artists before him, Riaz Ali Khan makes Bulleya his own. His voice carries the lyrics and tones of the poem and give them a life of their own. In addition to the poem, Riaz Ali Khan brings raags of his own composition within the track, a pleasant addition indeed. One of the crimson studio's lighter tracks, definitely pleasant to the ear, whenever the time, whatever the mood.
Chup – Zeb and Haniya
This is the title track that made them famous in the first place and Zeb and Haniya once again prove why it was so. This isn't as glorious as Paimana, however it definitely is groovier, thanks to Omran Shafique's guitars. Given the house band talent at their disposal, Zeb and Haniya could've taken the song into a completely different direction, which, in the spirit of Coke Studio, would've been a pleasant surprise.
Saari Raat – Noori
Noori's the kind of band that you listen to at full volume. Their energy is at best obvious and overwhelming, in good kind of way. Coke Studio gives them a chance to show a much more mellow side to them, especially Ali Hamza, who appears at home and ease at this slow pace, his other half, Ali Noor still brings in the loudness every now and again, but that's just enough so that you know you're listening to Noori.
Mahi Ve – JoSH & Shafqat Amanat Ali
Bhangra songs are quite the acquired taste, you either love them or love to hate them. This, however, is not a bhangra track at all, and that's all thanks to Shafqat Amanat Ali's brilliant contribution to this track. His powerful raags echo and evoke a completely new feeling to the track. It's interesting to hear JoSH change their trademark pace and shift down to second gear for a change. This is definitely one of their pleasant performances yet.
Though the artists continue to put out some great music, most of the performances came out with a more 'manufactured' or 'staged' sound than the previous season. Perhaps it's because it was made for a TV audience rather than a live one—and the change felt from the first season and the second one is obvious for everyone to hear. And they are hearing it by the hordes, keeping the spirit of Coke Studio alive and well.
Mai Ni Main – Atif Aslam
I can only imagine what was going through Atif's mind as he sang this song. It would be a daunting task to be in his shoes to cover a song previously sung by maestros such as Hamid Ali Bela all the way to Reshma, and Atif flawlessly sings the classic tune. He's definitely one Coke Studio artist that continues to shatter people's perceptions of him and his musical prowess.
Bulleya – Riaz Ali Khan
This is probably the most covered Baba Bulleh Shah poem there is and rightfully so, with its poignant lyrics and its underlying tones. Like the many artists before him, Riaz Ali Khan makes Bulleya his own. His voice carries the lyrics and tones of the poem and give them a life of their own. In addition to the poem, Riaz Ali Khan brings raags of his own composition within the track, a pleasant addition indeed. One of the crimson studio's lighter tracks, definitely pleasant to the ear, whenever the time, whatever the mood.
Chup – Zeb and Haniya
This is the title track that made them famous in the first place and Zeb and Haniya once again prove why it was so. This isn't as glorious as Paimana, however it definitely is groovier, thanks to Omran Shafique's guitars. Given the house band talent at their disposal, Zeb and Haniya could've taken the song into a completely different direction, which, in the spirit of Coke Studio, would've been a pleasant surprise.
Saari Raat – Noori
Noori's the kind of band that you listen to at full volume. Their energy is at best obvious and overwhelming, in good kind of way. Coke Studio gives them a chance to show a much more mellow side to them, especially Ali Hamza, who appears at home and ease at this slow pace, his other half, Ali Noor still brings in the loudness every now and again, but that's just enough so that you know you're listening to Noori.
Mahi Ve – JoSH & Shafqat Amanat Ali
Bhangra songs are quite the acquired taste, you either love them or love to hate them. This, however, is not a bhangra track at all, and that's all thanks to Shafqat Amanat Ali's brilliant contribution to this track. His powerful raags echo and evoke a completely new feeling to the track. It's interesting to hear JoSH change their trademark pace and shift down to second gear for a change. This is definitely one of their pleasant performances yet.
Though the artists continue to put out some great music, most of the performances came out with a more 'manufactured' or 'staged' sound than the previous season. Perhaps it's because it was made for a TV audience rather than a live one—and the change felt from the first season and the second one is obvious for everyone to hear. And they are hearing it by the hordes, keeping the spirit of Coke Studio alive and well.
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